Tag Archive | "Hip Hop"

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The Death of Jay Titty Mixtape

Posted on 01 June 2009 by Kriss

death_of_jay_tittyOne of the first guest we had on the Insanity Check podcast was my old roommate Jaxx.  Jaxxamus Prime aka Jaxx hails from Baltimore, MD with two engineering degrees. After moving to L.A. to work a normal 9 to 5, Jaxx rediscovered his love of hiphop and disdain for it’s current state. During our “interview” with him (back when his name was “J-Titty”), he told us his mix tape was coming soon…well, it’s been a year but it’s finally here.  Jaxx’s mixtape “The Death of Jay Titty”.  Please check it out and leave some feedback.  Personally, I think its hot.  My personal favorite is “Never Goin Down” over the ESPN Sportscenter beat.

As promised, here is the Mixtape: “The Death of Jay Titty”.

I started recording this mixtape almost 6 months ago, and finally feel like it’s time to let the world hear it. Its a mix of freestyles over classic beats, with a couple of original tracks thrown in for good measure. The conceptual track “Do it for the Money” tells the story of 3 different individuals grinding to stay afloat. “Nothing I Like” is the sequel to “I hate my Job”. “Letter to my Father” is exactly what it sounds like. With this mixtape, I wanted to strike a nice balance between my serious side and my not-so-serious side, while moving away from my “Jay Titty” moniker. (Wait-rappers aren’t supposed to sound this intelligent LOL. Oh well.)

So without, further adieu, here is the link:
http://www.zshare.net/download/606170909c5a31e7/

Oh and did I mention this joint is free?

Jaxx

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Asher Roth is NOT Nice, He’s Average

Posted on 23 March 2009 by Kriss

asherrothI’m inviting the proverbial “shit storm” with this one, but I’m never one to go with the crowd.  I’ve been hearing about this 21 year old white rapper, Asher Roth who is supposed to be the greatest thing since sliced white bread (no pun intended).  So, being bored on a Saturday, I decided to give a couple of his songs a listen.  I was left extremely unimpressed.  Asher Roth sounds like Eminem if Eminem didn’t have great word play, an incredible flow and off the wall subject matter that makes you rewind the track saying “Wtf did he just say?”  Also, Roth is missing Eminem’s range:   Em’s ability to go from angry Em to crazy Em to Funny Em to somber and sober Em all on the same track.  Roth has this almost monotone way of droning on and on over a beat using elementary rhyme adlibs.  Wow, he can rhyme a word with itself.  Outstanding…NOT.  Quite honestly, he’s boring and not as clever as people make it out to be.  Changing the tone and inflection in your voice is a very important part of being a rapper, Roth doesn’t do that.  I know what you’re thinking.  But Kriss, Roth is just starting off.  Okay, I understand that but I remember hearing Eminem’s old stuff and trust me, he was killing it back then.  Maybe Roth will get there, but to hear people say that his lyrics are “Top of the game” and “Just sick” makes me think that these are people who aren’t used to hearing lyricists.  I remember hearing Eminem say “A brainiac, with a cranium packed full of more uranium than a maniac Saudi Arabian” and “I strike a still pose and hit you with some ill flows/that don’t even make sense, like dykes using dildos” on the song Any man.  I had to pause and rewind the tape at least 10 times.  Never got the urge to do that with Roth’s stuff.

I can explain the Asher Roth phenomenon in two ways:

He’s white. This is not meant to be demeaning or degrading to white people and I’m not saying they can’t be rappers.  It just doesn’t happen very often.  So when a white person displays any sort of ability to string together a couple of bars, they are given a certain amount of hype.  Some deserved, some not.  We’ve been down this road before.  Vanilla Ice.  Bubba Sparks.  Paul Wall. Eminem.  Out of those 4 names the only one that has proven to have longevity is Eminem…because he has skills.  If a black college kid from the suburbs put out “Lark on my Go Cart” or “I Love College”, it might have gotten a few thousand hits on Youtube.  The game is starving for white rappers so even those with mediocre skills get hype.

He makes music for stoners. When your mind is fried by weed, a lot of shit that is actually trash sounds good.  I’m not speaking from experience, because I don’t smoke.  But I do drink and I’m making the educated guess that Asher Roth makes good weed music like Shane’s in Baltimore makes good drunk food.  As long as you are under the influence of some other substance this shit sounds awesome.   Right now I’m almost a month into Lent with zero alcohol.  I’m too sober to be swayed into believing this kid is half as awesome as they make him sound

Most of his fans are casual Hip Hop/Rap listeners. If you are a casual listener of Hip Hop/Rap, meaning you think Lil Wayne, Young Jeezy, Rick Ross and Plies are lyrical geniuses, then Asher Roth is the knight in shining armor to save Hip Hop.  For those of us who know that Muddy Waters isn’t a new show on the Discovery Channel, this kid is mediocre at best.  This article here does a good job (while it is heavy on the hate) of breaking down Roth’s style and why his lyrics really don’t meet the threshold test of a true Hip Hop fan.

Inevitably someone’s going to respond “But He can rap better than you”.  Okay, this is probably true.  I don’t claim that I can rap and honestly, I don’t want to.  But just because Roth is better at it than me, doesn’t mean I can’t say he’s nothing more than average.  Hell, Kwame Brown can probably beat me one on one in basketball.  But we all know, Kwame Brown is one of the highest paid bums in the league.  Some other excuses I know I’m bound to hear:

“There’s no one else lyrical in the game right now” -  I hate this argument.  For this to hold any weight,  Talib Kweli, Mos Def, Common, Jay-Z, Nas and this guy named Reggie Noble would all have to be dead and no longer making music.  Reggie dropped Red Gone Wild within the last 2 years and it was classic Redman (For some reason he just didn’t get the promo he should have).  Nas dropped Untitled last December and that was an instant classic.  Just because someone is new, doesn’t mean you can only judge them on whoever else is new.  Yeah, Roth might be the leading candidate in the freshman class…but that just means this draft class isn’t anything to write home about or break out the top dollars for.

“He doesn’t rap about bitches and violence, he’s fresh” – Bullshit.  That is what this argument is.  Roth raps about smoking weed, fucking chicks and drinking.  Young Jeezy raps about selling drugs and while Roth raps about taking drugs.  It’s the same subject matter, just a different point of view (one from the view of the supplier, the other from the consumer).  Also, critics of “violence” in rap need to understand that music is about expressing yourself and if you grew up in the projects surrounded by drugs, violence and loose women…that’s what you’re going to talk about.  No, it’s not always pretty but the truth is…it’s what’s happening in some parts of America.  I’m convinced that if Edgar Allen Poe was alive today, was black and transformed some of his works into rap,   he’d be labeled a menace to society and not a literary genius.

All that said, Roth will end up getting a nice following and he’ll be on the scene for at least 18 months if he doesn’t evolve his game.  You can get a record deal and sell a pretty good amount of records with your first album on a gimmick in the rap game.  Ask Soulja Boy.  However, if there’s not serious substance there, then the gimmick will wear off and the next rap fad will come in and make you obsolete.  Having a gimmick is just as much a part of getting into the music industry as being able to hold a tune.  Not having a gimmick is what keeps your favorite underground artist…underground.  Fortunately for Roth, he has a gimmick.  He’s a white guy who raps and doesn’t sound like this idiot.  But like I said, gimmicks only get you in the door, skills keep the door open.  Maybe I’m wrong and Asher Roth will pull an Eminem and gain acceptance.  But right now, he’s only half as good as people make him out to be.

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Hi-Caliber, The Republican Rapper

Posted on 02 March 2009 by Kriss

hicaliberI really picked a great time to stop drinking.  See, if I hadn’t given up alcohol for Lent, then when I came across this story about this self-proclaimed Republican rapper at the Conservative Politcal Action Conference (CPAC), I would have immediately gone to my refrigerator and gotten a beer…because alcohol is the only way I could make it through this entire video.  I actually Twittered last night that I was way too sober to be watching that video.  First off, dude’s inspiration comes from Michael Savage and listening to him on the radio (mind you…Savage is a radio host…not a rapper).  This is like me watching a Michael Moore movie and wanting to be an actor.  So he starts “kicking some verses” and all I can think is “There’s not enough liquor in the world.”  This guy’s lyrical ability makes K-Fed seem like a top tier conscious hip hop God.  It’s like he went to K-Mart and picked up on of those “Political Rhyming Ad-libs” or “How to be a Rapper for Dummies” books and a cheap microphone.

Hi-Caliber looks like someone that I should call if I need a locksmith, I have a plumbing problem or I go to a NY pizzeria and I want a slice of pepperoni.  The only thing that makes this funnier is the video where the reporter is nodding his head like dude is spitting some truly deep or revolutionary stuff.  White people…leave the rapping to black folk and Eminem (nope, I’m not sold on the whole Asher Roth thing right now either).  And dude really needs to change his name.  “Hi-Caliber” my ass.  More like BB or 22.

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IC 45: Peer Pressure

Posted on 29 December 2008 by Kriss

On the last Insanity Check Show of 2008, Kriss is joined by the Artist formerly known as J-Titty, Kylanol aka KY (not the Jelly) and Hollywood Kedi.  If you ever wondered why Kriss, Ryce and Dylan were so crazy,just listen to this show to get insight to the type of bad influences and peer pressure they have to put up with.

We’re looking for writers for TheInsanityReport.com and guests for the Insanity Check Podcast.  If you are interested, email us at  KrissandTheKorean@theInsanityReport.com.  Also hit us up if you’re good with graphic designs or music production (we’re looking for a new opening for the podcast).  Join the Facebook Fan page or follow us on Twitter.

Follow  Jaxx on Twitter:  JaxxAboutMe

Follow Hollywood Kedi:  nwokedi

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Soulja Boy Set to Go Double Wood

Posted on 23 December 2008 by Kriss

souljaboynewspic15Wow, who would have thunk it?  Soulja Boy is on pace to only sell 35, 000 copies of his sophomore album in it’s first week.  If you couldn’t tell, that was sarcasm.  Of course I’m not surprised.  He’s garbage.  Always has been and always will be.  To be honest, I still think 35,000 is a lot of copies.  I’ve said it before, I’ll say it again:  He’s Hip Hop’s William Hung.

The fact remain, in order to have longevity in the music industry (or in any field really) you need to have some sort of talent.  Fads and gimmicks work on getting you noticed and getting your foot in the door but then you run into three problems:

1.  Copy cats (Sadly if you asked a rapper “If another rapper jumped off a cliff would you?” that rapper would answer “I’d do it twice”)

2.  People get tired of it (Just like I’m hoping men get tired of wearing skinny jeans)

3.  Another fad pops up  (I’m still trying to figure out the current Fad.  I think it’s putting Lil Wayne or T-Pain on any sort of track.  It could be a track of you taking a shit.  People would still buy it)

I’ve never knocked Soulja Boy’s hustle.  Hell, if people are stupid enough to make you rich off of 2nd grade rhyming ability, barely English lyrics and a YouTube dance that makes the practitioner look like they are going through PCP withdraw…then get that money.  However, since you really have no musical talent, I’m not going to praise you for it either.  Just last week (or so) Soulja Boy released a YouTube video apologizing for his lyrics on “Crank That.”  Oh really?  I seem to remember all the Soulja Boy supporters saying that he makes “music for the kids.”  Not so much I guess?  Anyway, that apology should have been issued a long time ago.  Not because I think he needed to, but because if you are going to try to “reinvent yourself” to boost your record sales, you need to do that at least 6 months before the album drops.  Let’s face it, Soulja Boy became lazy.  Even his album title is damn near the same…he just added an ‘i’ in front and dropped the ‘.com’ at the end.  Come on.  Fads have notorious short life spans, especially ones that target kids.  Hell, I can admit to wearing my pants backwards when Kriss Kross first came out…but 3 months of trying to unzip my ass to take a piss made me realize how retarded it was.  Before that it was the slanted Bobby Brown high top fade.  Trust me…kids latch on to fads quickly and drop them just as quickly.

Soulja Boy…you’re about to meet the cold hard reality.  Dude you’re 18 now.  You’re no longer a little kid and unless you pull a Bow Wow and completely reinvent yourself, you’re going to tank faster than a Jennifer Lopez movie (Gigli anyone?).  Now that you’re 18, that “He’s just a kid” defense doesn’t work and people will actually expect you to try to show a glimmer of talent.  The problem is, the adult rap game is already polluted with no talent hacks (Plies is about to sell 90,0000 his first week.  WTF?  Dude needs Neyo to translate what he’s saying on his records) and you’re below even their limited talent abilities.  Look, I’ll give you some help.  You have no lyrical talent.  We both know that (Remember your freestyle? I rest my case).  But what you do have that a lot of artist out there don’t have is a knowledge about YouTube and Web 2.0 technology.  Give up the music career and focus on becoming a consultant for artists with real talent.  That’s your best bet.  Cause right now you’re approaching 14 minutes on your 15 minutes of fame and the clock is running down.  Tick. Tick. Tick.

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IC 29: These Mofos at Work…

Posted on 22 October 2008 by Kriss

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